fruehsorge
CLAUDE HEATH

*1964, LEBT UND ARBEITET IN LONDON
1964 geboren in London

1983-1986 B.A. Philosophy, Kings College, London



EINZELAUSSTELLUNGEN

2008

Claude Heath Les Aerialistes’, Fruehsorge Contemporary Drawings, Berlin
Claude Heath Aller Art Bludenz, Austria

2006

Claude Heath Stichting Lokaal 01, Breda, Netherlands

2005

Built in the Air/In Aere Aedificare Fruehsorge/Galerie fur
Zeichnung, Berlin

2003

Ben Nevis Sleeper, Reiach & Hall, Edinburgh

2002

Claude Heath Kettles Yard, University of Cambridge

2001

Claude Heath Paul Kasmin Gallery, New York
Claude Heath The Centre for Drawing at Wimbledon School of Art

2000

Art In Sacred Spaces Christchurch, Isle of Dogs, London, (one
venue of twelve)

1999

Claude Heath Drawing from Sculpture The Henry Moore Institute/
Leeds City Art Gallery

1998

The Pith and the Marrow Hales Gallery, London

1995

Claude Heath Hales Gallery, London


GRUPPENAUSSTELLUNG

2010

‚The More I draw’ („Je mehr ich zeichne“), Musuem für Gegenwartskunst, Seigen, Germany
‚Unearthed’, Sainsbury Centra for Visual Arts, University of East Anglia

2009

The Presence of The Line: A Selection of Recent Acquisitions From The 20th and 21st Centuries, Pinakothek Der Moderne, Munich
In Between the Lines: Recent British Drawings, Trinity Contemporary, London
Recent British Drawings, Trinity Contemporary, New York
Linie 09: Facebook, Dina4 Projekte, Munich
Facebook: Between Empathy and Abstraction, Galerie Baer, Dresden
Obsession For Collection Curated by Bob Davison and Stuart Evans. Summerfield Gallery, Pitville Campus, University of Gloucester, Cheltenham
A Sort of Night to the Mind - A KIND OF NIGHT FOR OUR THOUGHTS Illusion and Materiality in Contemporary Painting, Herbert Read Gallery University for the Creative Arts, Canterbury

2008

‚Outlines, Gimpel Fils Gallery, London
Space Now! Space HQ, The Triangle, London
Linie 08 Gallery Dina4 Projekte, Munich
‚Drawings’, Madison Contemporary, London
‚Sculpture and Touch:Reflections on the Art and Science of a Negelcted Sense’, Courtauld Institute of Art, London

2007

Isobar Fieldgate Gallery, London
ARTfutures 2007 Bloomberg SPACE, London

2006

John Moores Painting Prize 24, Walker Gallery, Liverpool
Art and the Senses Science Oxford, Oxford Trust, Oxford
Lodestar Terrace Gallery, London
HAUPTSACHE, WIR BLEIBEN ZUSAMMEN! Fruehsorge/Galerie
für Zeichnung, Berlin
Thinking Through Drawing Kettles Yard, University of Cambridge
Anatomy Acts City Art Centre, Edinburgh, University of
St.Andrews Gateway Galleries, University of Dundee Lamb
Gallery, Swanson Gallery Thurso, and further touring 2006-9
Youll Never Know: Drawing and Random Interference Hayward
Gallery Touring Exhibition 2006-7: Harris Museum and Art Gallery,
Preston; The Glynn Vivian Art Gallery, Swansea;The Lowry,
Salford; New Art Gallery, Walsall; Tullie House and Art Gallery,
Carlisle
On the Way to Things Churchill College, University of Cambridge
Seeing Heads The Hatton Gallery, University of Newcastle

2005

Showcase CAS City Art Centre, and Talbot Rice Gallery,
Edinburgh
Transmission Portfolio Haus Am Lutzowplatz, Berlin
Taking a Line for a Walk The Place, Letchworth Garden City
Work from the Print Studio, Cambridge Broadbent Gallery,
London
Sue Arrowsmith and Claude Heath Galerie Hollenbach,
Ausstellungraum Zurich

2004


Gegen den Strich/ Another Line Staatliche Kunsthalle Baden-
Baden
Sue Arrowsmith and Claude Heath Galerie Hollenbach, Stuttgart
Other Criteria The Henry Moore Institute, Leeds
Sculpture on Paper: Works from the Leeds Collection The Study
Galleries, Leeds City Art Gallery/The Henry Moore Institute.
Selected by Claude Heath
ARTfutures 2004 Contemporary Art Society, London
Facing FLACC, Hasselt, Belgium
Transmission: Speaking and Listening Domo Baal Gallery,
London, with Sheffield Hallam University, School of Cultural
Studies

2003

Claude Heath and Marion Coutts Kettles Yard Gallery, University
of Cambridge
Pizza Express Prospects Drawing Prize The Truman Brewery,
London
Drawing 100 The Drawing Room, London
No.20 Aubrey Square. Rachael Barraclough and Alison Clark: 40
Designers London

2002

Mapping The Process Essor Gallery, London
Head On: Art with the Brain In Mind Science Museum, London

2001

Fall show G Fine Art, Washington
Sages, Scientists, and Madmen One In The Other, London
The Jerwood Drawing Prize 2001 Cheltenham & Gloucester
College/Princes Trust, London
Summer 2001. Paul Kasmin Gallery, New York
Paper Assets: Collecting Prints and Drawings1996-2001 The
British Museum, London
Systems:Past-Present-Future TIAA/CREF, New York

2000

Art In Sacred Spaces Christchurch, Isle of Dogs, London
Made Space Touring exhibition; Pekao Gallery, Toronto, Canada,
The Changing Room, Stirling, Scotland, and The Talbot Rice
Gallery, Edinburgh, Scotland
Claude Heath Bury St. Edmunds Art Gallery


SAMMLUNGEN

Bank of America
British Museum
Centre for Drawing, Wimbledon School of Art
Christs College, University of Cambridge
Deutsche Bank
Dresdner Kleinwort
Eel Pie Publishing
Emmanuel College, University of Cambridge
Ferens Art Gallery, Hull, presented by the Contemporary Art
Society
Fitzwilliam Museum, Cambridge (Archive of The Print Studio
Cambridge)
Government Art Collection, UK
Henry Moore Institute
Lodeveans Collection
The National Collection/Arts Council Collection at the Hayward
Gallery
Bequest of Charles Saatchi
Simmons and Simmons
UBS AG
Walker Art Gallery, National Museums and Galleries on
Merseyside


STIPENDIEN

Kettles Yard Fellowship 2002-3, University of Cambridge
Wimbledon Centre for Drawing, Wimbledon School of Art, 2002-3
Henry Moore Institute, Claude Heath Drawing From Sculpture 1999
Art In Sacred Spaces Christchurch, Isle of Dogs, London, 2000 (one venue of 12)
Museu Teleorman, Alexandria, Rouman, with European Union Archeology Project Number RCHI282


BIBLIOGRAPHIE

2010
Eva Schmidt, Michel Sauer, and Fritz Emslander, ‚The More I draw – Drawing as a Concept fort he World’ (‚Je mehr ich zeichne - Zeichnung als Weltentwurf’), Publisher: DuMont Buchverlag, Colgone.

2009
THE PRESENCE OF THE LINE. A SELECTION OF RECENT ACQUISITIONS FROM THE 20TH AND 21ST CENTURIES. 19.03.2009 - 21.06.2009
Pinakothek Der Moderne, Munich. Edited by Michael Semff and Andreas Strobl, with Frederic Bussman, Der Gegenwart der Linie, Staatliche Graphische Sammlung München,. p69, 168.
In Between the Lines: Recent British Drawings, published by Trinity Contemporary, London. pp.74-9.
Francesca Bacci and Peter Dent, Sculpture and Touch, published by the Courtauld Institute of Art, London. pp.11-12, 18-19., 23.
Dr. John Stell, Prof. Lynne Cameron, Prof. Kenneth G.Hay, Spatiality in Design, in Designing for the 21st Century, Edited by Tom Inns, published by Gower. pp.227-229.
Cover artwork, Acts of Seeing: Artists, Scientists, and the History of the Visual, a Volume dedicated to Martin Kemp, published by Zidane Press.

2008
Jan-Phillip Frueshorge, Suspension des Wissens- Armierung des Blicks- Zu den Zeicnungen von Claude Heath. In Raume der Zeichnung, Akademie der Kunste, Berlin. pp124-129.
Sue Hubbard, Pen and pencil point the way, The Independent, 26 March.

2007
Isobar exhibition catalogue, Fieldgate Gallery, London; pp 30-1.

2006
Claude Heath Built on Air: 3D Paper pp.20-23; John Stell, Drawing in Three Dimensionspp. 7-17;
Lynne Cameron, Claude Heath, Patricia Cain, The Practice of Drawing in Three Dimensionspp. 24-31;
all in Explorations in Spatiality: Spatiality in Design, Leeds.
John Moores 24, catalogue, Walker Gallery, published by National Museums Liverpool.
Tania Kovats The Drawing Book. Black Dog Publishing.
Andrew Patrizio Subtle Knots and Strange Stations: On Curating Anatomy Acts pp.167-186;
Sara Barnes, Ecologies of Anatomy: commissioned work for Anatomy Acts. pp.139-158.
Both in catalogue Anatomy Acts: How We Come to Know Ourselves, edited by Tom Holbrook, Drawing you in, Building Design, 11 August.
Jeni Walwin and Henry Krokatsis Youll Never know. Hayward Touring Exhibitions Catalogue.
Duncan MacMillan Musings on Medicine are a powerful body of work The Scotsman, 23 May 2006.

2005
Andrew Patrizio Following the Curve, in CAS Showcase, published by the Contemporary Art Society. pp. 15; 24; 37.
De Appel Amsterdam, If walls had ears/Als muren oren hadden 1984-2005 Edited by Edna Van Duyn.

2004
Hans-Dieter Fronz Gegen Den Strich. Kunstforum, September-October 2004.
Wolf Schon Aufstand der Linien. Rheinischer Merkur, 9 September, 2004.
Peter Frommig Spuren der Wirklichkeit. Kulturjoker, September 2004.
Johannes Meinhardt and Dirk Teuber. Gegen den Strich. Catalogue, Staatliche Kunsthalle Baden-Baden, p39 and p66 respectively.
Claude Heath Missing the Third Dimension. Henry Moore Institute Newsletter No.52/ March-April 2004. p.1.

2003
William Furlong Claude Heath. In Sculpture in 20th-century Britain: A Guide to Sculptors in the Leeds Collections. The Henry Moore Institute. pp. 155-6.
Transmission: Speaking and Listening, Sheffield Hallam University/Site Gallery. pp. 85-93.

2002
Andrew Patrizio Perspicuous by their absence; the drawings of Claude Heath ;pp.33-35., and Erika Naginski Drawing things in, sketching things out pp.153-55; and Claude Heath interviewed by William Furlongpp. 19-25; all in What is Drawing?The Centre for Drawing, Wimbledon School of Art. 2001-2, edited by Angela Kingston and Ian Hunt.
Mel Gooding Seeing Things, Kettles Yard catalogue essay.
Tom Lubbock Don Look Now, The Independent Review, 8 October.
Patrick Conty The Genesis and Geometry of the Labyrinth pp 229-30,232,233. 2001

2001
Tom Lubbock The Five Best Shows in London., The Independent on Saturday, 8/12.
The Jerwood Drawing Prize 2001 Catalogue. Frances Carey, Richard Cork, Angela Kingston.
Jan Koplos Claude Heath at Paul Kasmin Gallery. Art In America.
Alistair Hicks. Art Works : British and German Contemporary Art 1960-2000.p.232. Deutsche Bank/Merrell Publishers.
Felicity Lunn, The Whitechapel Open, The Whitechapel Art Gallery Centenary Review.
The New Yorker, 22 Jan..Claude Heath at the Paul Kasmin Gallery.
Wimbledon School of Art Research Journal 01/02.

2000
Chris Noraika Made Space. Exhibition catalogue, Published by Atopia Projects.
Susanna Beaumont Made Space. Scotland On Sunday.10 Sept.
Jack MottramMade Space. The List. 7 Sept. Editorial Product magazine.
Gary Michel Galt New British Drawing at the Pekao Gallery. Toronto Globe and Mail.
The Arts Council Collection at The Hayward Gallery The Saatchi Gift to the Arts Council Collection.

1999
Tim Marlow The NatWest Art Prize. Catalogue essay.
Joanna Pitman Post Modern Man. The Times Magazine. 7 August.
The Saatchi Gallery The Saatchi Decade.
Adrian Searle Withdrawal Symptoms. The Guardian Saturday Review, May 22.
Claude Heath Claude Heath Drawing From Sculpture. Published by The Henry Moore Institute.
Graham Fagen, Subversive on the Side of a Lunatic pp.28-30. Henry Moore Institute.
The Henry Moore Institute Leeds Sculpture Collections: Works On Paper, Concise Catalogue. Edited by Dorcas Taylor.

1998
Paolo Cecchetto and Marina Wallace From Within / Dall Interno. Juliet, exhibition catalogue.
Regina Von Planta Claude Heath at Hales Gallery. Kunst-Bulletin, Nov.
Paolo Cecchetto Claude Heath Profile. Juliet Art Magazine No.87.April.
Anna Murphy, The Observer, Life Magazine. 22/03.
Lynn MacRitchie Jerwood Painting Prize 98. Exhibition catalogue.
John Windsor Let the love affair begin. The Independent on Saturday Magazine, 17/01.

1997
James Hall Young British Artists VI. Artforum, January.
Editorial New Shows. Art Review, March.
Whitechapel Gallery Antechamber. Exhibition catalogue.
Sarah Kent Five Easy Pieces. Time Out, No.1389.
Waldemar Januszczak Its all a matter of Life and Death. Sunday Times, 6 April.
Kate Kellaway Once, twice, 74 times a lady. The Observer Review, 13 April.
Juan Cruz Antechamber. Art Monthly, May.
Stuart Evans Whos Buying Who. The Guardian, 1 Sept.
Saskia Bos Blueprint. Exhibition catalogue, De Appel, Amsterdam.
Robert Roos Trouw, 12 June.
David Burrows Low Maintainance & High Precision. Art Monthly, Sept.
Cornelia Parker John Moores Exhibition 20. Walker Art Gallery. 1996

1996
Sarah Kent Young British Artists VI. exhibition catalogue, Saatchi Gallery.
Sarah Kent Best of the Six. Time Out, No.1360.
John Tozer Young British Artists VI. Art Monthly, Oct.
Lesley Garner True Grit of Young Brits. Daily Express,13 Sept. 1995
Barry Barker Out of Sight but not out of Mind. Text for Hales Gallery.
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